My interview with Meg Lelvis, author of Bailey's Law about all things writing, her process, and what we can expect from the poet turned novelist.
- What inspired you to start writing?
I’ve enjoying writing
stories since grade school, and after teaching English I wanted to try it out,
first as a hobby. Then I joined writers’ groups and wanted to fulfill a
life-long dream to publish a book.
When did you complete your first piece
of writing? What was it? How was that process?
Eight years ago I wrote several free verse poems and short stories which
I shared in critique circles.
It was a humbling experience because I didn’t realize how much I needed
to learn!
What is your favourite genre to write? Why?
I’ve always been interested in psychology and characters’ motivations,
and found that the
crime/mystery genre worked well to bring my characters to life and to
send a message.
What kinds of sources do you take inspiration from?
I am inspired by established writers, both present and past. Charlotte
Bronte and Tami Hoag are two examples. I read all the time; sometimes two books
concurrently.
Do you model characters after real people?
Yes, sometimes I do. For example, Erna Baumgartner in Bailey’s Law is
Jack Bailey’s meddling,
but good-hearted housekeeper. She’s patterned after my own Aunt Erna,
who was a real character!
What does your writing process look like? Did it take you a while to
develop?
I use the process which works best for me, and don’t adhere to exact
rules or advice. Unlike many writers, I don’t outline for instance. I draw my
own rudimentary story arc which looks like a lop-sided hill. I keep a running
hand-written log of notes I jot down about the main events and characters
introduced in each chapter. It may not work for others, but it’s what I know!
What does you editing process look like? Do you allow others to read
your writing?
Yes, I spend a lot of time reading and re-reading my pages. I’m in a couple
critique circles, and after they’ve given their suggestions, I later use the
changes I agree with, and ignore the ones I don’t. Critique groups are
essential to me because of the feedback and it urges me on to write.
Do you take criticism
hard or do you have a thick skin? Have you ever received criticisms that you felt
were unjustified or too harsh? Are you your worst critic?
I think I have a thick skin. Years ago I sang in a chorus and quartets
where we had to accept constructive criticism or else give it up. It’s not easy
being told you’re flat or hit the wrong note! My critique groups are all in the
same boat; we want to become better writers, and they are quite diplomatic for
the most part. At times certain people are ‘nitpicky’, but I hide my irritation
and go on with my life, ha! Only once did I secretly disagree with someone’s
criticism of a scene I’d worked hard on. I thought it was damn (you can omit
this word if you’d like) good, and this person had problems with it. But I
still like it!
Have you ever felt like quitting writing? If so how did you overcome
those feelings?
There are times I need a break from writing, especially if I’m stuck on
a scene I don’t want to write. Rewarding myself with reading good books or
streaming episodes of UK detective stories help, and then I’m ready to return
to the keyboard.
Do you have favourite characters from your own writing? What made them
so special to you?
Yes, I do love Jack Bailey, whom I made a Liam Neeson look-alike. He has
that brooding, tragic look about him that I like in Irish or Nordic men.
Beneath a stony exterior, he has a good heart.
I also like Denise Williams, a patrol cop who’s smart and sassy. These
characters are not passive personalities, which makes them special to me.
How do you keep motivated to finish a writing project?
I like to set realistic goals for myself; small enough so I can
accomplish them. Some writers have a certain number of words or pages per day.
I have to adjust my goals to my life in general, like trips, book club meeting,
etc. Some days I have more time than others.
Have you ever written
something you didn’t like, but felt necessary for the overall story?
If you mean involving research, yes. I’m not interested in nor know
anything about guns, but I had to include information about them because my
main characters are cops. There were one or two scenes involving investigations
that I didn’t care for, but were essential for a realistic plot.
Is there any question you are tired of getting as an author?
Yes. After having my book published, people ask how my sales are going,
which annoys me no end! Or how much did I pay an editor or publicist when the
price is tailored to each writer’s own needs. As Dear Abby would say: MYOB. Why
can’t they ask about writing or characters or themes?
What do you wish people knew about life as an author?
I wish they knew how many thousands of books are out there, and how many
writers. I’m happy to say, though, that most of my friends and acquaintances
respect what hard work it is to write, even though it’s a labor of love.
What would be your advice for aspiring authors?
Read a lot and write a lot. Read established authors in your genre of
interest with a critical eye. Join a critique group, but it that’s not
feasible, find someone who will be brutally honest in their comments about your
writing. Show them a few pages or if you prefer, the entire first draft.
Stephen King has his IR (Ideal Reader) who has always been his wife.
Is there anything you wish you knew before you became an author?
It’s a difficult balance between the joy and challenge of writing and
the practical publishing process. The entire process of submitting to
publishers, signing a contract, going through the timeline of publishing, like
edits, cover design, etc. Then marketing expectations. Of course, it was a
whole new world and learning curve, and it’s been a fun ride. Writing for me is
a passion which I hope will always stay with me.
Lilaina, thanks so much for posting my interview. The questions were thought-provoking and enjoyable to answer. Best to you, Meg
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